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From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity (African Amer Music in Global Perspective), by Miles White
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This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities.
From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity.
Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.
- Sales Rank: #853015 in eBooks
- Published on: 2011-11-01
- Released on: 2011-11-01
- Format: Kindle eBook
Review
"Miles White's From Jim Crow to Jay-Z drops squarely into the Bermuda Triangle of critical race studies, gender and sexuality studies, and performance studies with useful new approaches to studying rappers as ambivalent cultural exemplars of black masculine performance."--H-Net Review
"By interrogating the cultural logic through which blackness and masculinity are constructed in our society, [White] opens up possibilities for more empowering forms of representation and identification both within popular culture and in the lived experiences of race, class and gender."--PopMatters.com"Invaluable. . . . Provides a clear example of how interdisciplinary approaches to African American music and culture can provide future scholars with the tools to examine the ever changing and diverse identities within the community."--Black Grooves
"[From Jim Crow to Jay-Z] takes a critical look at the portrayal of racialized machismo in modern America, and how hip-hop helps perpetuate stereotypical tropes about the African-American male. . . . Perfect for anyone who enjoys an intellectually stimulating and provocative read."--The Root"White's generative approach and application are ground-breaking, innovative, and ultimately laudable."--Popular Music and Society
"A captivating study of hardcore styles of hip-hop, masculinity and the performance of the body."--Ethnic and Radical Studies
About the Author
Formerly a professional musician and entertainment journalist, Miles White teaches at City University of Seattle in Bratislava, Slovakia.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Important piece of musicology
By D. Shanahan
This is an important study of a cultural phenomenon too easily dismissed by those who do not understand it or the role it plays in contemporary youth culture. White is a serious, even gifted, musicologist, and he's brought his formidable talents to bear on a subject laden with mine fields. One could wish that the book was not so reflective of the "cultural studies" discourse academics often find themselves confined to - talk of "social texts," "codes" and "meanings" will prove daunting to the uninitiated. But this is a valuable study that rewards those who give it the attention it deserves.
2 of 2 people found the following review helpful.
A must read for every student in the Social Sciences!
By Ana Dubenka
As a doctoral student, I found this book by Miles White to be truly paramount. His careful analysis of race and masculinity within hip-hop culture works as a trenchant critique of any notion of a post-racial American society, pointing to the conditions of inequity and disenfranchisement that are experienced by many individuals as a direct condition of their racial identity. By interrogating the cultural logic through which blackness and masculinity are constructed in our society, he opens up possibilities for more empowering forms of representation and identification both within popular culture and in the lived experiences of race, class and gender. This is truly a must read!
1 of 1 people found the following review helpful.
Five Stars
By Susie
Thanks for the timely shipping and the great book!
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