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It is likely that most fans of bluegrass music would concede that no state should be more associated with bluegrass music than Kentucky—and rightly so. Bluegrass music draws its name from the band that Kentuckian Bill Monroe formed during the late 1930s and 1940s. Bill named his band Bill Monroe and The Blue Grass Boys to honor his home state. Eventually, the music these bands and others like them were playing came to be known as bluegrass music. Later, another Kentuckian, Ebo Walker, while playing with the Bowling Green-based bluegrass band, New Grass Revival, coined the phrase “newgrass” to describe the band’s progressive style of music. Other Kentuckians such as Bobby and Sonny Osborne, J. D. Crowe, Ricky Skaggs, and Dale Ann Bradley have become bluegrass stars. Some of the musicians from Kentucky covered in this book are quite famous—some are not. Famous or not, all of them have a deep-rooted passion for the music they play.
- Sales Rank: #2195005 in eBooks
- Published on: 2010-03-15
- Released on: 2010-03-15
- Format: Kindle eBook
Review
Title: Book salutes bluegrass
Author: Deborah Kohl Kremer
Publisher: Cincinnati Enquirer
Date: 3/10/2010
A photographic tribute to some of the pioneers and biggest names in bluegrass music is included in a new book about the genre that started right here in the commonwealth.
"Kentucky's Bluegrass Music," part of Arcadia Publishing's Images of America series, has just been published by James C. Claypool, professor emeritus at Northern Kentucky University.
Claypool, who speaks regularly for the Kentucky Humanities Council, researched and developed a talk about Kentucky's music history a few years ago, which prompted a curiosity about Bluegrass music. But it was about four years ago when Claypool was aboard the Delta Queen for a speaking engagement when he heard and met the bluegrass group the Steep Canyon Rangers, when he really turned into a fan.
The group, named Emerging Bluegrass Group of the Year by the International Bluegrass Music Association in 2006, became fast friends with Claypool, who they now refer to as Ranger Jim.
"Their music is so good it will make your heart race," said Claypool. "And besides being great musicians, as I got to know them they introduced me to people with bluegrass music connections who were able to help me with this book."
The book, which includes about 200 photos, some dating back as early as 1918, were compiled from sources nationwide. Claypool said many have never before been seen in print.
By meeting with and obtaining photos from such big names in the business as J.D. Crowe, Charlie Sizemore and Dale Ann Bradley, Claypool amassed quite a collection.
His most prized photo is of Richard Burnett, the composer of "The Farewell Song," also known as "I am a Man of Constant Sorrow," which was used as the theme song to the movie "Oh Brother, Where Art Thou?"
"This photo of Burnett is one of three known to exist," said Claypool. "Burnett wrote the song, but Carter Stanley got the copyright, so Burnett did not make a dime off it."
Claypool, 71, who taught history at NKU for 32 years, says there are many things about Bluegrass music that make it enjoyable.
"It has a great harmony. It is played by masters of their instruments. The tempo and beat go at least three times as fast as country music, and the chorus is easily learned so you can always sing along."
Claypool has authored eight books and served as co-editor of "The Encyclopedia of Northern Kentucky," but this is his first book on music.
"This music just moves you," he said. "You can't help but tap your foot to it."
About the Author
James C. Claypool has written, coauthored, or edited eight books. He holds a Ph.D. from the University of Kentucky. The photographs in this book were assembled from sources nationwide, and many of them have never before been seen in print.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Less Than Expected, Had Potential
By Matthew F. Merta
Images of America/Arcadia Publishing is known for putting out photo-histories of small regions around the US, such as cities or suburbs, with each book covering a subject matter that made that region famous. In this case, the subject is bluegrass music, but the book covers a wider area, as in the entire state of Kentucky. This book could have been a lot better if more time was put into it. Many band photos chosen are of groups that have very little or no impact on the music scene, only that one or more of the band members is from KY.
A lot of the information is redundant and repetitive. For example, there are a number of photos showing The Osborne Brothers, and the captions say the same thing about the band under each different photo. This also holds true for multiple photos of Bill Monroe, Ricky Skaggs, and David "Stringbean" Akeman. The organization of chapters is what helps to create this redundancy. The author chose to go primarly chronologically. Thus, a photo of Sam Bush in the 1970s says about the same thing as one of him in the 1990s. It tends to be more irritating when the photos are near or next to each other, as in the case of a regional band The McLain Family. It is almost as if each chapter was edited by a different person and no one checked with anyone else.
There are many photos that are of poor quality, and not because of the age. They seem to be copies of copies of snaphsots taken with someone's Kodak Instamatic. Another low point is that a few photos have very little reason to be in the book. For example, there is a publicity shot of the Del McCoury Band. The caption only mentions the band members and that the band is one of the best out. It isn't until a few chapters later that there is a photo of fiddler Jason Carter from the DMB stating he is from KY.
One sad note about the choice of photos and information in the book is that the author mentions that KY native and New Grass Revivial bassist Ebo Walker was the person who coined the phrase "newgrass." Yet there is not one photo of him in the book. There are a number of photos avaialble of Ebo in one of his many bands (NGR, Bluegrass Alliance) from many archive and internet sources.
There are a few gems in this book, such as the photo of a very young Chris Thile (later of Nickel Creek) getting a private lesson from Bill Monroe. There is also some great coverage of bands/artists that don't usually get recognition, such as Pam Gadd and The New Coon Creek Girls. However, the low points outweigh the high points. There are no notes within the book to say how much experience the author has with bluegrass music, but someone with an armchair history knowledge will find a number of errors and awkward coverage. For someone from KY who has a lot of involvement with the bluegrass music scene in the state, this may be somewhat worthwhile. For everyone else, they should probably pass, as there are a number of other books on the market that provide more accurate and enjoyable information.
0 of 0 people found the following review helpful.
Five Stars
By AWADE22766
LOVE IT
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